HAMMERSMITH APOLLO 2003. Guardian review extract November 17th. 2003: It certainly looked expensive, incorporating Paris street scenes (in keeping with the Bardot-esque stripes and bouffy hair that accompanied her entrance), Matrix-like skeletal steel constructions and a very butch motorbike. And at its centre, Kylie, apparently in a constant state of sexual arousal. A cover of Je T'Aime started things as they meant to go on - arching her back, extending a provocative little paw to the front row, she gave

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